The Playlist: What I’ve Been Listening To

Lera Lynn – Lately

Arguably the breakout star of True Detective‘s underwhelming series was not an actor, but the crooning, country singer echoing from the back of the bar. That voice belongs to Lera Lynn, a Nashville-based songstress whose moody, melancholic vibes and soulful twang earned her the attention of legendary musician T Bone Burnett. My favourite track from those she penned for the second instalment of HBO’s noir-ish hit, is Lately. Stripped back and haunting, the melody has a gothic edge, whilst the almost guttural timbre of her voice reverberates with nostalgia. Lately is an utterly mesmeric lullaby and by the far the most captivating element of the show.

Jess Glynne – Don’t Be So Hard On Yourself

Best known for her distinctive vocals on Clean Bandit’s No.1 Rather Be, the copper-haired hit maker has just released her debut album I Cry When I Laugh, and its standout song for me, is the feel good anthem Don’t Be So Hard On Yourself.  This is the kind of sassy pop that will get you in the mood for a Saturday night.

Mac Demarco – Another One

Another One is Demarco’s self-recorded 8 track mini album that continues in the twangy, zany vein of Salad Days. He’s perfect the art of mellow melodies and whimsical vocals that make for something watery, reflective and joyfully simplistic. My favourite track is the upbeat, guitar-laced I’ve Been Waiting For Her.

Everything Everything – Regret

Slightly older, but no less magical than the other entries, this track from the band’s third album is pop perfection. With it’s effervescent percussion, throbbing drum beat and frenetic falsetto, Everything Everything have delivered something as dazzling as it is dizzying.

Chvrches – Never Ending Circles

The Glaswegian synth-pop trio return to fray with a glossy, whirlwind track from their upcoming sophomore album, Every Open Eye. It’s not a particularly noticeable departure from their debut material, and perhaps lacks the edge of Lies or Recover, but it’s beautifully produced and gets better with every listen.

Album Review: The Bones Of What You Believe, Chvrches

Having “discovered” Chvrches back in January 2013 (when they placed fifth in the BBC’s ‘Sound of 2013’ poll, alongside a cluster of similarly talented breakthrough artists such as Haim and AlunaGeorge), trust me when I proclaim that the trio’s debut album has been long-awaited and much anticipated.

shareImageTeasing listeners with such vibrant releases as ‘The Mother We Share’ and ‘Recover’, Chvrches promised electro-pop at its finest: arousing, zingy and multi-faceted. And boy, have they made good on that promise: The Bones of What You Believe is alarmingly assured for a debut album. ’80s synth lines and infectious hooks are laced with the darker undertones of lyrics such as “I will be a gun / and it’s you I’ll come for”. Equally, frontwoman Lauren Mayberry’s voice perfectly accompanies this dichotomy: at once childlike and playful, yet hauntingly ethereal.

Each track defies and transcends one’s expectations, beginning as if building to a frenetic climax, before U-turning into something more restrained and introspective. Particularly notable in this regard is ‘Tether’, which swells and dips in volume and refrain in such dramatic fashion that one virtually has to check that the track is still playing. Similarly trance-like and pensive is ‘Night Sky’, which effervesces with a quiet intensity.

This makes for an interestingly diverse and re-playable album that suits a variety of moods and tones. I could just as easily find myself jumping up and down to ‘Lies’ at a festival or club, as I could let the atmospheric  and hypnotic ‘Under the Tide’ – in which Martin Doherty takes to the mike – nurture me through an essay.

Chvrches manage to pack a punch with a nuanced and textured listening experience, which could happily belong in any one of the past four decades.

There is a menace and emotional turmoil fuelling the appeal of each song: tapping into adolescent anxiety, but superseding some of the empty, effusive pop that the group’s peers have been guilty of. Reminiscent of Kate BushDepeche Mode, and – more recently – Purity RingChvrches manage to pack a punch with a nuanced and textured listening experience, which could happily belong in any one of the past four decades. And yet, there is something equally futuristic and forward-thinking about its aural appeal.

There’s room for development for the band to really mould or consolidate the slightly more experimental flavours at their disposal. ‘Science/Visions’ hints at a weak spot to rest on the laurels of the other songs, repeating some of the hooks previously heard and slightly less polished than its predecessors. But that’s a blip in an otherwise phenomenally phantasmagorical and accomplished album. Believe in these bones, because I suspect they’re something special.

Similar To: Purity Ring, Depeche Mode

MP3: ‘Lies’, ‘Gun’, ‘Recover’