Ageing in Hollywood is a double-edged sword. Either you embrace the graceful climb over the hill and vie with Meryl Streep for all the peachy roles coming your way. Or you try and stay looking as youthful as possible for as long as possible, because let’s face it, there are more roles for those lithe, glowing-skinned, and eternally energised monsters known as ‘young women’ than there are for their predecessors (and most likely, trail-brazers). And if you do beat one of those taut beauties to the part, then you have Russell Crowe breathing down your neck saying that ageism isn’t a problem at all and you should just embrace the whole getting older shebang. Sigh.
MIC wrote a very accurate and incisive piece on the issue with his comments, which initially appears as though he’s encouraging (more like demanding that) female actresses to be happy in their own skin. And rather than selling themselves short by competing with all the up and comers of the film industry, they should focus on playing women their own age.
Oh Russell. How funny you are. All those intelligent, wise and elegant elder ladies of Hollywood must have bypassed the reams and reams of intelligent, wise and elegant roles written for them, in search of bit parts as muses, girlfriends, manic-pixie-dream-girls, supporting wives and leggy prostitutes. Oh wait.
He appears to have glossed over, and trivialised the issue at hand – the fact that roles suited to older women in Hollywood are few and far between. According to a 2013 study, It’s a Man’s (Celluloid) World: Onscreen Representations of Female Characters in the Top 100 Films of 2013, researcher Martha Lauzen found that:
“Females comprised 15% of protagonists, 29% of major characters and 30% of all speaking characters. Female characters remain younger than their male counterparts,” Lauzen writes. “The majority of female characters were in their 20s (26%) and 30s (28%). The majority of male characters were in their 30s (27%) and 40s (31%).”
The hard fact to face is that it’s easier for men to sustain careers in Hollywood simply because there are more roles for them. Whereas their trajectory into fame might remain pretty consistent, or even soar as they age, for women it’s more likely to decline (unless you’re Amy Adams). Paul Rudd, at the age of 45 is playing the hero in Marvel’s latest outing Ant-Man. Whereas the only superhero roles currently available to women are being assumed by the significantly younger Scarlett Johansson. For guys over 40 like Crowe, 55% of all male characters on screen are for guys who are his age or older. Flip the side of the coin, or undergo a sex change operation (and besides making headlines) he would discover the number of roles available to him decreases dramatically.
His comments also do a disservice to the fantastic actresses that do live in their own skin, and consistently turn in performances that celebrate the process of the ageing, and the complexities that come with it. Generalising actresses that are only in the market for youthful roles, neglects the fact that are many talented thesps besides Streep that showcase their capabilities, neuroses and wrinkles – and are all the more fantastic for doing so. Here are a handful of my favourite characters/role over 40 played by terrific, multi-faceted actresses over 40 in the past few years. From ball-busting bosses and gun-toting assassins, to pill-popping anti heroines and everything in between, these women are fierce, vulnerable, sharp-tongued, witty, acerbic, badass, and most of all, show strength in the face of adversity. They are role models not just for women their age, but for a younger generation of women and actresses who demand longevity out of their careers.
‘Nic’ – Annette Bening (The Kids Are All Right)
‘Dr. Alice Howland’ – Julianne Moore (Still Alice)
‘Penny Chenery’ – Diane Lane (Secretariat)
‘Kate’ – Catherine Keener (Please Give)
Helen Mirren (Gosford Park, The Queen, The Tempest, RED, Hitchcock)
‘Abby’ Rosemarie DeWitt (Touchy Feely)
‘P.L. Travers’ – Emma Thompson (Saving Mr. Banks)
‘Claire Bennett’ – Jennifer Aniston (Cake)
‘Liz Gilbert’ – Julia Roberts (Eat, Pray, Love) and ‘Barbara Weston’ (August: Osage County)
‘Maria’ – Naomi Watts (The Impossible)
‘Elizabeth Taylor’ – Helena Bonham Carter (Burton and Taylor)
‘Cathy’ – Allison Janney – (The Oranges)